What humanity still exists?
NOON is a scene from a completed feature screenplay. The short sets up the world’s unique premise and introduces our protagonist, Gray, a coyote numbed to the cruelty of the world and his part in it. We watch Gray struggle to salvage what humanity still exists within him when profit is pitted against morality.
Jill McElroy of Management 360 || 310.272.7000
Jason Burns of United Talent Agency || 310.273.6700
Flying Lotus – “Until The Quiet Comes”
A short film by Kahlil Joseph featuring music from the Flying Lotus album.
Buy the album: flying-lotus.com/until-the-quiet-comes/
Director: Kahlil Joseph
Photography: Matthew J. Lloyd
Producer: Omid Fatemi
Underwater Cameraman / 1st AC: David Edsall
Editor: Luke Lynch
Steadicam: Dana Morris
VFX: Josh Foster @ Synapse FX
Additional FX: Andy Curtis
Color: Sean Coleman @ Company3
Titles: Stephen Serrato
Stylist: Elizabeth Birkett-Gibbs
Music: Flying Lotus
Production/Camera Assistant: Marcus Reposar
Location Manager: Big Flip
Talent: Solomon Gibbs, Storyboard P, Ishmael Gibbs and Edwin Marcelin
Special Thanks to Laura Tunstall, Chris Gibbs, Alan Algee, Rodney Passe, Patrick O’Brien-Smith, Panavision and the community of Nickerson Gardens
Filmed on 35mm in Los Angeles, CA
What a legend…
Piano classic house mash up by Davos T Funk
Absolute genius. Every classic old school piano tune you have ever heard in one very cool mash up. I really hope he hires out for parties. Enjoy people and ‘ Merry Christmas!’
Andrew P. Sykes
Twitter – @CyclingEurope
Well worth a follow on twitter and whilst you are at it check out his book ‘Good Vibrations: Crossing Europe on a Bike Called Reggie’
A ‘wonderful, witty cycle tour across Europe’ (CTC)
carved up the already buzzing nightlife..
Light Emitting Dudes takes a team of freerunners, geared up from head to toe with LED lights, and sets them loose on the streets of Bangkok at night. With acrobatic grace, they carved up the already buzzing nightlife spots while adding their own flair and colour to the mix.
Jason Paul, Shaun Wood, and Anan Anwar are a team of freerunners whose homes are already quite far apart, coming from Frankfurt, Sydney, and Bangkok respectively
WRITTEN & DIRECTED Frank Sauer
IN COOPERATION WITH Team Farang (farang-mag.com/)
EDITING Frank Sauer & Sebastian Linda
COSTUME DESIGN Christina Zahra
SOUND DESIGN Jens Fischer
TITLES Stephan Baumann
MASTERING Matthias Greule
Metric – Artificial Nocturne (Love Thy Brother Remix)
(Hack: EOSHD Vanilla)
LENSES: Voigtlander f/0.95 25mm, SLR Magic Hyperprime f/1.6 12mm, Panasonic f/4 7-14mm
, Canon FD f/1.4 50mm, Canon FD f/2 85mm
harmony between geometrical forms and organic movements..
Client: Vgroup, 00 Role: Art Direction, Design, Animation, Compositing Date: June 2010 Format: Short Film 1280×720 HD Sound: Combustion TRIANGLE is a video work done for the book ‘Black Material’ which showcases Robert Knoke’s artwork. Curator Jens Karlson asked me to make a short animation and get Robert Knoke’s black and white artwork as base for video. I chosed to create tense harmony between geometrical forms and organic movements. Combustion helped me to expand possibilites of Black material with his strong music and sound design. Thanks to Renascent, Combustion, Jens Karlson, Firat Parlak, Ipek Torun, Mert Kizilay, Omer Kasımoglu also who has voted for this video for Vimeo Awards.
The Wilderness Downtown
The Wilderness Downtown is an interactive multimedia video coded in HTML5, to show off the capabilities of the new Google Chrome browser. Directed by music video director Chris Milk and involving the work of a number of Google employees as well as digital production company B-Reel, it features the We Used to Wait song from the Arcade Fire album, The Suburbs. It was one of three Grand Prix winners at the 2011 Cannes advertising awards in the Cyber category.
CLICK ME NOW FOR THE EXPERIENCE
Still looks fresh today.
Not sure of the graphic artist on this cover but all rights reserved by the record label.
And the ground’s not cold
And if the ground’s not cold
Everything is gonna burn
We’ll all take turns, I’ll get mine too
Twisted, brilliant darkness.
From the Pixies 1989 album ‘Doolittle’
I still remember skating the Southbank listening to this.. happy days.
You’ve Got to Be Kidding Me
From the album, ‘Stick Figure Guy,” by J-Punch and Dave Moonshine. Blast us with wind, melt us with acid, and set us ablaze, and what are we left with? Stick Figure Guy.
Photographs by Christine Appleby.